Paula – Colour Grade
Get the Flash Player to see this player.Colour Grade of the 2005 short film Paula. The grade was performed using the stock colour correction tools in Adobe After Effects.
Video Editor
Tracking Makeup Enhancement
Get the Flash Player to see this player.Enhancing applied make-up in post production using motion tracking in Adobe After Effects. When going to the edit of I discovered that the makeup applied to the actress was too subtle, so it was enhanced in post-production
Helen Fullerton Showreel 2009
Get the Flash Player to see this player.2009 showreel for actress Helen Fullerton’s, for which I also did the start and end sequences. The showreel was edited together in Final Cut Pro and the motion graphics created using a combination of Adobe PhotoShop and Adobe After Effects.
Set Extension
Get the Flash Player to see this player.A compositing test in set extension for the 2005 short film “Paula”. The frame is changed from 4×3 to 16×9 and the set filled out accordingly.
davidswain.co.uk
Website for the actor David Swain, featuring image galleries, cv, video showreels, and testimonials. The site is built using xhtml 1 strict doctype, validates to W3C standards and has the hcard and hcalender microformats.
Five Days
Get the Flash Player to see this player.13 minute film edited in Avid Media Composer. I directed, produced and edited the film. I later authored the DVD using Adobe Encore and I also worked as cameraman on a few of the days shooting on a Sony DSR-300. Initial rough cut and experiments where conducted in Adobe Premiere Pro.
Paula
Get the Flash Player to see this player.2005 short film of and extract from April de Angelis’ 1997 play The Positive Hour. Used as a testbed for experiments in Final Cut Pro. Shot and edited by myself in a 24 hour period. Shot with a Sony DSR-300.
DVD showreel 2008
Get the Flash Player to see this player.A collection of high-definition video titles I authored at NME, during the period of October 2007—June 2008. The titles were authored using Final Cut Pro, Photoshop, After Effects and bespoke NME software. Clients included BAC Films, EROS and Icon
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